Dino Franco Felluga, A Momentous Edition
Kenneth Crowell, Sonnet: Genre and Intertext
Herbert F. Tucker, Sonnet: Structure and Inner Form
Dino Franco Felluga
This critical introduction was originally published at the Rossetti Archive: http://www.rossettiarchive.org/racs/doubleworks.rac.html.
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A Sonnet is a moment's monument,— Memorial from the soul's eternity To one dead deathless hour. Look that it be, Whether for lustral rite or dire portent, Of its own intricate fulness reverent: Carve it in ivory or in ebony, As Day or Night prevail; and let Time see Its flowering crest impearled and orient. |
Clemence Housman published The Were-Wolf twice in her lifetime: first as a story in a popular magazine and then as a book. Each time the novella was accompanied by a unique set of illustrations that shaped its reception. This essay examines the contrasting meanings for The Were-Wolf created by their accompanying illustrations, modes of production, and publication venues.
This is the first omnibus scholarly edition of Elizabeth Barrett Browning's (then Elizabeth Barrett Barrett) protest poem "The Cry of the Children" (1843), as it was published in Blackwood's Magazine. The editors and annotators have built on sustained scholarly engagement about the poem, its contexts, and its relationship with laboring-class poetry of the time. This was initiated by their cooperation for "Rhyme and Reform: Victorian Working-Class Poets and Elizabeth Barrett Browning's 'Cry of the Children.'" This two-day, international, multi-site symposium (Oct.
My case study in COVE-engaged pedagogy showcases the “Drawn to Books” Gallery, an open-access repository of images from the books and artworks in an exhibition collaboratively produced by students in my “Pre-Raphaelite Circle” module (“course,” in North American parlance) in 2017.
