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Beaugrand, Honoré. “The Werwolves.” La chasse galerie, and other Canadian stories, Montréal, 1900, pp 39-66.

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---. A Sole Survivor: Bits of Autobiography. U of Tennessee P, 1998.

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Anthology of Victorian Werewolf Fiction. Edited by Alexis Easley and Shannon Scott, Valancourt Books, 2012, pp. 135-168.

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---.  “Upright Citizens on All Fours: Nineteenth-Century Identity and the Image of the Werewolf.” Nineteenth-Century Contexts, vol. 24, no. 1, 2002, pp. 1-16.

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---. Laurence Housman. Catalpa Press, 1983.

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[Housman, Clemence]. “Wood Engraving.” Occupations for Women Other Than Teaching. London: Association for Assistant-Mistresses, 1887, pp. 3-5. Pamphlet in Mark Samuels Lasner’s Laurence Housman collection, 62.1, University of Delaware Library.

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---. The Story of the Seven Young Goslings. Illustrated by Mabel Dearmer. Blackie and Son, 1898.

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Kooistra, Lorraine Janzen. The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books. Scolar Press, 1995.

---. “Clemence Housman’s The Were-Wolf: Querying Transgression, Seeking Trans/Formation,” forthcoming in Victorian Review, Fall 2018.

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---. “Victorian Women Wood Engravers: The Case of Clemence Housman,” forthcoming in Women, Periodicals and Print Culture in Britain, 1830s-1900s: The Victorian Period. Edited by Alexis Easley, Clare Gill, and Beth Rodgers, Edinburgh UP, 2019.

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Ledger, Sally. The New Woman: Fiction and Feminism at the Fin de Siècle. Manchester UP, 1997.

---. “Wilde Women and The Yellow Book: The Sexual Politics of Aestheticism and Decadence.” English Literature in Transition, 1880–1920, vol. 50, no. 1, 2007, pp. 5-26.

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