Making the Human/ Inventing Venice

Created by Dino Franco Felluga on Fri, 12/30/2016 - 10:56

Part of Group:

HONR 29900 - Making the Human

This timeline allows students to see important events connected to the transition from Medieval to Renaissance Italy (focussed especially on Venice).

Timeline

Chronological table

Displaying 101 - 150 of 236

Date	Event	Created by	Associated Places
circa. 1500	Glasses available to the general public Before the invention of the Gutenbergs' printing press, visual aids were used only by religious monks and scholars. After the widespread distribution of manuscripts and books among the general public, the demand for eyeglasses increased. By 1500, spectacle peddlers were a common sight. They carried baskets of single wire German made spectacles which people would rummage through in order to find the right pair. The image is from Wikimedia Commons and is free to use.	Sahil Lala
1500	da Vinci's Scuba Gear Leonardo da Vinci sketched his designs for scuba gear that would allow divers to breathe underwater and attack enemies from under their ships. Venice is surrounded by water, so it is very succeptible to attacks from enemies by ship. While Leonardo da Vinci was living there, he came up with the concept for soldiers to wear these underwater suits, which was a new category for war weapons. The suits were made with face masks to see, breathing tubes that were connected to a floating device for air, and ropes and other weapons can be carried along on the suit. His designs were carefully thought out, where they include metal pieces connecting the tubes to withstand high water pressure, and a pouch for unrine, since divers were anticipated to be submerged for a longer period of time. Picture source: British Library Online Gallery, Leonardo's diving apparatus design. http://www.bl.uk/onlinegallery/features/leonardo/diving.html	Juliana Ilmain
1501	Harmonice Musices Odhecaton A page of the Odhecaton displaying the four parts: Soprano, Alto, Tenor, and Bass. The Harmonice Musices Odhecaton (One Hundred Songs of Harmonic Music) was a collection of polyphonic Franco-Flemish songs published in 1501 by Venetian printer Ottaviano Petrucci. It was the first book of polyphonic music printed using movable type. Petrucci printed two parts on the right-hand page and two parts on the left-hand page, which allowed four singers or instrumentalists to read from the same sheet. The triple-impression technique was used during the printing process, in which the musical staff was printed first, followed by the text, and then the music notes. The Odhecaton was hugely influential in publishing and in the dissemination of Franco-Flemish musical style. Source: https://en.wikipedia.org/wiki/Harmonice_Musices_Odhecaton Image source: Wikimedia Commons (public domain)	Kate Harris
1501	Development of Italics Italics are first introduced in a volume of Virgil printed by the Aldine Press. The style was created by Francesco Griffo and was meant to mimic the handwritten style used in papal chanceries of this time period. Originally, the type face of ‘italics’ was only developed in lowercase letters and combined with the ‘regular’ uppercase Roman typeface. This edition of Virgil is also the first edition of a non-religious book to be printed in the “pocket,” or octavo, style that could be carried around in one’s pocket. Scholars could now carry and study Virgil and other classics at any time. This image is sourced from Wikimedia Commons and is public domain.	Laura Titzer
The start of the month Sep 1504	Statue of David Unveiled to the Public The statue of Biblical hero David stands 17 feet tall. It is a masterpiece of Renaissance artist Michelangelo. He worked on it from 1501 to 1504. It was commissioned as one of many statues of prophets to be placed along the roofline of the east end of Florence Cathedral, but instead was placed in a public square outside the Palazzo della Signoria on its completion. To Florence, the statue stands as a symbol of their bold spirit and fight to preserve civil liberties. The statue was positioned so the eyes of David glared towards Rome in defiance. This file is licensed under the Creative Commons Attribution Share Alike 3.0 Uported License.	Kai Strubel
1505 to 20 Nov 1585	Life of Thomas Tallis: Born in 1505, Thomas Tallis was an important English composer and largely influenced English music by introducing polyphonic music. His early life is not documented well, and there is nothing known about his education. All that is known is that he appeared in various places in performance, including being a member of the Chapel Royal. He was the mentor of William Byrd, and together in 1577 they were granted the monopoly for printing music in England, a first at the time. One of his greatest works was Miserere nostri. It demonstrated a mastery over the art of counterpoint, and heavily used canon throughout it. Tallis died on November 20, 1585. Image Source: Britannica.com	Justin Chan
circa. 1506 to circa. 1519	Da Vinci and the Human Heart As an architect-engineer, Leonardo da Vinci was interested in the relationship between mechanics and human anatomy. He was particularly fascinated by the heart and the flow of blood. Da Vinci was the first to describe the heart as a muscle and a four-chambered organ. He also described the mechanics of blood flow through the chambers, with the atria contracting together and the ventricles relaxing together, and vice versa. Most impressive were his observations of the aortic valve. He utilized a self-constructed glass model of a bovine heart filled with grass seeds suspended in water. He observed vortices at the root of the aorta and correctly hypothesized that the vortices helped close the aortic valve. Because these drawings and notes were never published, this functioning of the valve remained unknown until 1968, when two Oxford engineers published a paper in Nature describing this mechanism, with their only reference being da Vinci’s illustrations and notes of the heart. Sources: http://ac.els-cdn.com/0003497591913712/1-s2.0-0003497591913712-main.pdf?_tid=1fd6a60c-f321-11e6-a0d5-00000aacb362&acdnat=1487123607_d89b02d75d9aff4411c0efe55fc1520a & http://www.bbc.com/culture/story/20130828-leonardo-da-vinci-the-anatomist Image source: https://leonardodavinci.stanford.edu/projects/anatomy/heart1.jpg and it is in public domain.	Kate Harris
1508 to 1512	Painting of Sistine Chapel An addition to the Vatican complex, the Sistine Chapel was built for Pope Sixtus IV from 1477-1480. From 1508 to 1512, Michelangelo was commissioned by Pope Julius II to paint the ceiling of the Sistine Chapel. Michelangelo depicted several scenes from the Bible, including the iconic The Creation of Adam. This Renaissance artwork is an example of the growing complexity of art to include depth and even optical illusions as Michelangelo realized that the curved nature of the ceiling would add a unique dimension to his work. The method/materials Michelangelo used were fresco plaster and paint. The image on the timeline, which shows the overall plan of the ceiling, is licensed under Creative Commons and is Public Domain in the USA according to Wikipedia.	Barbara McAnulty
30 Nov 1508 to 19 Aug 1580	Life of Andrea Palladio Andrea Palladio was born in Padua but moved to Venice when he was still in his youth. Thirteen-year-old Andrea Palladio was an apprentice to a Venetian stonemason before being taken into a Classical education setting by mentor Gian Giorgio Trissino. Throughout his career, Palladio was responsible for many famous Italian structures, including the Teatro Olimpico theatre, Il Redentore church, and Villa Rotunda home. Palladio spread his genius by reproducing his work in several books in Italian, which made his expertise accessible to a large audience. His most famous publication was Quattro Libri. This image is from Wikipedia and is labeled Public Domain.	Barbara McAnulty		Padua (Padova)
1510 to 1574	Life of Bartolomeo Eustachi Portrait of Bartolomeo Eustachi Eustachi studied medicine in Rome and Padua. He spent most of his professional career in Rome where he taught anatomy, performed autopsies and dissections, and served as the physician to the Duke of Urbino and eventually the Cardinal Giulio Della Rovere. He was a supporter of Galenic anatomy, unlike his contemporary, Vesalius. He studied the anatomy of the internal ear and correctly described the tube that now bears his name (the Eustachian tube). By 1552, Eustachi had drawn and engraved 47 plates showing the human anatomy he had investigated; however, only 8 plates were printed with text during his lifetime. The unpublished plates were not discovered until the 18th century by Giovanni Maria Lancisi, who proceeded to publish the remaining plates with text in 1714 under the title Tabulae anatomicae Bartholomaei Eustachii. Had his entire collection of plates been published during his lifetime, it is probable that both Eustachi and Vesalius would be recognized as the cofounders of modern human anatomy, as opposed to only Vesalius. Sources: http://exhibits.hsl.virginia.edu/treasures/bartolomeo-eustachi-1520-1574/ & https://www.nlm.nih.gov/exhibition/historicalanatomies/eustachi_bio.html & https://en.wikipedia.org/wiki/Bartolomeo_Eustachi Image source: Wikimedia commons (public domain).	Kate Harris
1512	The Medici Family Returns from Exile Niccoló Machiavelli was a diplomat in Florence for 14 years while the Medici family was in exile, and attempted to organize a militia against their return. After being found out, he was tortured and jailed, giving him time to step outside the world of politics. Roman history and philosophy inspired authorship of The Prince, a book he wrote during his time outside of politics. This work incorporates values from both the old and new paradigms that were being defined during his era. From the old values, an idolization of cunning and deceitfulness as displayed in the Odyssey. From the new, the idea that destiny is something that can be controlled by decision making rather than falling to the power of fate. His ideas on establishing order and rule may be summed up in this quote from The Prince, "Since love and fear can hardly exist together, if we must choose between them, it is far safer to be feared than loved."	Hannah Mylin
1512 to 1597	The Life of Antonio da Ponte: Antonio da Ponte was an architect and engineer who worked in Venice. His most notable work was rebuilding the Rialto bridge out of stone. To earn this project, he defeated famous architects like Palladio and Sansovino in a design contest for the bridge. Other works of note are rebuilding the Doge's palace after part of it was damaged in a fire and assisting in building the New Prison. On some of his projects, including the Rialto bridge, he worked with his nephew, Antonio Contin, who would later take over building the New Prison after da Ponte's death.	Teresa Ortyl
1514 to 1564	Life of Andreas Vesalius The only known portrait of Andreas Vesalius Andreas Vesalius was a Flemish physician who studied medicine in Paris, Louvain, and Padua. Though his professors followed the methods of the ancient physician Galen, Vesalius did not agree with this practice. Vesalius believed that the study of human anatomy should be based on visible proof gained from dissecting human bodies, not from Galen’s theories, which were based on the dissection of animals and the ideas of Hippocrates. In 1543, Vesalius published De humani corporis fabrica (On the Fabric of the Human Body), considered by many to be the world’s most influential book of anatomy. The information and image presented here were obtained from: http://www.vesaliusfabrica.com/en/vesalius/biography.html. The image is public domain.	Kate Harris
1514 to 1570	Daniele Barbaro Barbaro was an Italian diplomat, cardinal and translator. His main contribution came from translating Vitruvius' De Architectura. In order to translate both the words and drawings, he worked with Palladio. Through this, Palladio was able to practice his drawing and woodworking skills, honing his skills and familiarity with De Architectura. Beyond this, Barbaro served the Republic of Venice in positions such as at the Council of Trent. This information is from http://architectura.cesr.univ-tours.fr/Traite/Notice/Barbaro1556.asp?par... and “A new general biographical dictionary, Volume 3”, Hugh James Rose, Henry John Rose, 1857, pg. 137. The image is from Wikimedia Commons and is from the public domain.	Tim Brunner
1514	Commentariolus published by Copernicus 1514 Commentariolus (Latin for "Small Commentary") was published by Copernicus. This 40-page manuscript set out seven axioms describing aspects of the heliocentric solar system. This included bold statements such as the earth is not the center of the earth, the distance from the sun and earth is only a fraction of the distance from earth to other stars, stars do not move they only appear to because of the earth’s motion. This file is licensed under the Creative Commons Attribution Share Alike 3.0 Uported License.	Kai Strubel
1516	La segregazione degli ebrei La segregazione degli ebrei – the world’s first Jewish ghetto – was established on March 29, 1516. Before the establishment of the ghetto, Jews in Venice had only been allowed to live on the mainland, not the Dominant (main city of Venice). It was in 1516, after a war between Venice and French and imperial sources, that the Jews fled the mainland and sought refuge in Venice. However, they still feared persecution in Venice and asked that they be “isolated” for their own protection. Ultimately, the establishment of the ghetto segregated the Jewish community from the rest of Venice but also allowed the Jewish culture to flourish. This image is sourced from the Jewish Museum of Venice.	Laura Titzer
1517	Eyeglasses with Concave Lenses All the eyeglasses up till the 16th century were made using convex lenses which were unable to cure near sightedness. This painting by Raphael shows Pope Leo X, one of the first few people to start using concave glasses. Pope Leo X was very near-sighted and used these glasses for hunting. "With them I see better than my companions," are his words. This picture hangs in the Pitti Palace in Florence, where the concave lenses can be seen in his hands. The image is from Wikimedia Commons and is available for public use.	Sahil Lala
31 Oct 1517	Luther's Ninety-Five Theses 95Theses An example of ideas spreading due to the print revolution, the Ninety-Five Theses written by Martin Luther transformed Christianity. Luther, a German monk, vocalized in the theses what he believed was unhealthy about the Catholic Church, including the selling of indulgences and the impersonal, robotic process of sacraments that religion had become. This document sparked the first protestant branch of Christianity. This document adds to the complexity of the Renaissance relationship to Christianity as many aspects of life were becoming more secular. The image is from Wikipedia and is labeled Public Domain.	Barbara McAnulty
1520 to 1579	Life of Giovanni Antonio Rusconi Giovanni Antonio Rusconi was an architect, engineer translator, and illustrator in Venice. To prepare himself for his career, he studied math at the University of Padova. He spent most of his career as a hydraulic engineer for the Republic of Venice. After noticing errors in Renaissance editions of Vitruvius's works, he set out to translate and provide illustrations for an edition of his own called Della Architettura. However, his translation was not published until 1590, 11 years after his death. His major architectural feats include assisting in the construction of the Palazzo Grimani and the New Prison. The picture is in the public domain, provided by the British Library from its digital collections, and is free for use.	Teresa Ortyl
1520 to 1523	First Printed Talmud Daniel Bomberg, a Belgium that relocated to Venice, was the first to print Hebrew texts in Venice and was also the first in the world to print copies of the Rabbinical Bible and the Talmud, the book of Jewish civil and ceremonial law. As Jews in Venice were not allowed to print or own printing presses by themselves, Bomberg employed several members of the Jewish community to assist him in editing these religious texts. The first editions of the Talmud and Rabbinical Bible, although they are the religious works of Judaism, were printed for everyone to read. Scholars and people of all religions could have access to and study these religious texts that were “fundamental to the development [of] Western culture ("Bound" 2017).” This image is sourced from Wikimedia Commons and is public domain. "Bound in Venice. The First Talmud." PrintedMatter. N.p., n.d. Web. 25 Feb. 2017. <http://primolevicenter.org/printed-matter/bound-in-venice-the-first-talm.... "The Talmud: Early Editions." Early Editions - Judaic Treasures. N.p., n.d. Web. 25 Feb. 2017. <http://www.jewishvirtuallibrary.org/early-editions-judaic-treasures>.	Laura Titzer
circa. 1520	Madrigal Vocal Music: A form of vocal chamber music that originated in Italy in the 14th century, but didn't flourish until the Renaissance Period. Often in the beginning of its development, a composer and poet would work together in order to create a composition. It is often set polyphonically in multiple voice parts and originally designed for one voice to sing each part. However, often multiple people would double up on parts to acheive greater sound. These songs were often sung at courtly social gatherings, including meetings of academics. These pieces of music greatly relied on harmoic progressions, something that was very new for the time period.	Justin Chan
1521	First Modern-Language Translation of Vitruvius's De Architectura Published: Cesare Cesariano first published an Italian translation of Vitruvius's De Architecture at Como. It was a massive improvement for the work, as it had been inaccessable to many due to its lack of illustrations and difficult-to-read Latin. The translation remedied both, putting it into language readable to the majority of literate individuals in the area and providing a plethora of illustrations that could be referenced. However, it was plagiarized numerous times and eventually forgotten after the 1556 release of Barbaro's translation with Palladio's illustrations. The image is by Cesare Cesariano [Public domain], via Wikimedia Commons. As it is in the public domain since the copyright term has passed, it is free to use.	Teresa Ortyl
1522 to 1524	The Spiritual Exercises of Ignatius of Loyola were Composed Exercitia spiritualia (1st published ed. of the Spiritual Exercises) As efforts at spiritual reformation surfaced in light of the corruption that had taken hold in the Church throughout Europe, Saint Ignatius of Loyola founded the Society of Jesus, a religious order aimed at obedience and loyalty to the Pope. A Spanish priest and theologian, Ignatius aligned himself with the pro-Catholic counter-reformation movement; however, he did not support the corruptive practices of the Papal clergy. Motivated by a desire to restore the Catholic faith, he composed the Spiritual Exercises of Ignatius of Loyola, a set of prayers, meditations, and practices designed to help Christians (primarily Catholics) understand the nature of their relationship to God. Split into four thematic week-long sections, this piece of literature is evidence of the religious shift from a focus on the divinity of God to a focus on the significance of the individual in relation to God. (Image Source: St. Ignatius of Loyola (1st. ed.) [Public Domain], via Wikimedia Commons, https://commons.wikimedia.org/w/index.php?curid=3228172)	Andrew Natoli
1524 to 1648	Wars of Religion The Wars of Religion in Europe began after the commencement of the Protestant Reformation in Western and Northern Europe. These Wars of religion were a streak of wars in Europe from 1524-1648. The Wars of Religion were fueled by the religious changes of the period and the rivalries that arose from said changes. Additionally, against common belief, not all of these wars were connected.	Mara Kossoff
1525	Paracelsus Uses Diethyl Ether as an Analgesic While experimenting with various chemicals for medicine, Paracelsus discovered the analgesic properties of diethyl ether. He found these pain-killing properties while performing tests on chickens. This discovery added to the short list of effective drugs of the Renaissance, which included opium and quinine. Image Source: Public Domain, https://upload.wikimedia.org/wikipedia/commons/4/4a/Paracelsus.jpg	Ryan Gansemer
1526	Paracelsus Uses the Name "Zink" Paracelsus named the element zink after its sharp, pointed crystals, which stemmed from the German word "zinke" meaning pointed. He described the new element as tin-like. This element was commonly used in alchemy when the alchemists would burn zinc and collect the product zinc oxide. This discovery laid the foundation for the beginning of the concept of modern chemical elements. Image Source: Public Domain, https://upload.wikimedia.org/wikipedia/commons/f/f9/Zinc_fragment_sublim...	Ryan Gansemer
6 May 1527	Sack of Rome The Sack of Rome (Oil Painting by Johannes Lingelbach) Waged by the army of the Holy Roman Emperor, the conquest of Rome on May 6, 1527 came after a long-term power struggle between the Roman Empire under Charles III and the Papacy under Pope Clement VII, who had allied himself with several Western European powers. Comprised of Spanish and German mercenaries, the Imperial army attacked the much smaller militia force of the Papal states, besieging the poorly defended Roman city in just over a day. Though the Imperial army suffered the loss of Emperor Charles III, who died in the initial assault, they succeeded in reaffirming dominion over the Papacy in Rome. As a display of their power over Papal affairs, the victorious Imperial troops continued to ransack the city for months, desecrating churches and monasteries, and torturing Roman citizens. Ultimately, though the sack of Rome itself was brief, the belief that the moral failures of the Church were to blame for Rome’s fall—the belief that there was a need for Papal reformation—pervaded much of Western Europe for many years to come. (Image Source: Johannes Lingelbach [Public Domain], via Wikimedia Commons, https://commons.wikimedia.org/w/index.php?curid=6632076)	Andrew Natoli
1530	Paracelsus Adds Salt to Create a Trinity of Alchemical Elements Paracelsus added salt to sulphur and mercury to make three elements of alchemy, creating an elemental trinity. In medicine, Paracelsus believed in the importance of the trinity as sulphur represented a combustible element, mercury represented a fluid, changeable element, and salt represeneted a solid, permanent element. He believed that these three elements accurately represented alchemical medicine. Sulphur represented the soul, salt represented the body, and mercury represented the spirit. Image Source: Public Domain, https://upload.wikimedia.org/wikipedia/commons/f/fd/DeadSeaIsrael5.jpg	Ryan Gansemer
1530	Paracelsus Develops the Study of Iatrochemistry Iatrochemistry has roots in alchemy, but served as a transition between alchemy and modern medicine as it was popular between approximately 1500 and 1700. Paracelsus was a firm believer in the connection between physical health and the balance of bodily fluids, which led to the development of iatrochemistry. This branch of both chemistry and medicine intended to provide medical solutions in the Renaissance. Image Source: Public Domain, https://upload.wikimedia.org/wikipedia/commons/4/4c/Celum_philosophorum_...	Ryan Gansemer
circa. 1530 to circa. 1538	Villa Trissino in Cricoli Palladio was first discovered by Trissino while working as a stonemason rebuilding Villa Trissino around 1530. Trissino would then have Palladio study at his academy, which was this very same building. While learning here, Palladio had the opportunity to meet with a variety of people, like the aristocracy of surrounding regions, who would go onto employ him later in life. This information was taken from https://www.britannica.com/biography/Andrea-Palladio#ref33636. The image is from Wikimedia commons, from By Hans A. Rosbach - Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=2530227	Tim Brunner
1533 to 1547	Who Ivan the Terrible Actually Was Ivan the Terrible, actually born Ivan IV Vasilyevich, was the Grand Prince of Moscow from 1533 until his death. Historical records note that Ivan was extremely intelligent, but had mental illnesses and a very short temper. Ivan was able to change the state from a medieval state to an empire and emerging regional power, and then to be crowned the first Tsar of Russia. Additionally, Ivan was a patron of arts and trade and even founded Russia's first publishing house, Moscow Print Yard. Ivan got his nickname because of his bloodthirsty habits and cruel personality.	Mara Kossoff
1537	Palladian Window Example of Palladian Window The Palladian window consists of three individual windows: a large, arched window in the middle accompanied by two narrower windows on each side. This style of window was popularized by Andrea Palladio, but the style can be traced back to Sebastiano Serlio in his book L’architettura, written in 1537. Sometimes this style of window is referred to as the Venetian window or Serlian motif. This window was used in European and American architecture after the Renaissance. This information is from Britannica and Lindsay Daniel Architecture. The image is from Wikimedia Commons and is Public Domain.	Nathaniel Gollmer
1540 to 1600	Venetian polychoral style The interior of Basilica San Marco The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras. It involved spatially separate choirs (cori spezzati) singing in alteration. The style arose from the observed sound delay caused by the distance between the opposing choir lofts in Basilica San Marco, making it difficult for the cori spezzati to sing simultaneously. Composer Adrian Willaert, maestro di cappella of San Marco 1527-1562, solved this problem by writing antiphonal music, where the cori spezzati would sing successive, often contrasting musical lines. The development of this style represented a major stylistic shift from the polyphonic writing of the middle Renaissance to the Baroque era. Source: https://en.wikipedia.org/wiki/Venetian_polychoral_style Image source: http://i44.tinypic.com/2lkdypt.jpg (public domain)	Kate Harris
1541	the Last Judgement by Michelangelo Located on the wall of the Sistine Chapel in the Vatican, the Last Judgement is a fresco by Italian Renaissance master Michelangelo. The painting shows God’s final judgement of all humanity. The painting depicts God in the middle of a mass of humans, pulling some up to heaven and damning others to hell. God is surrounded by depictions of many famous saints. The work is considered revolutionary because Michelangelo did not depict the figures by their social position, but rather showed everyone in equal standing, bare before God. The piece received mixed reception. Some believed that nude figures should not be shown in such a sacred place. The work took Michelangelo four years to complete. He was commissioned by Pope Clement VII to paint the resurrection, but when the pope died, Pope Paul III believed the Last Judgement was a more fitting subject. This file is licensed under the Creative Commons Attribution Share Alike 3.0 Unported License.	Kai Strubel
1542	Villa Godi This villa, in Lugo di Vicenza, is the first villa created by Palladio. It goes on to be mentioned in his work "The Four Books of Architecture." This reflects Palladio's first attempt at architecture. This villa has elements of a castle, like a small tower, and of roman architecture. This information was taken from http://www.villagodi.com/english/history.html. The image is from wikimedia commons, By Stefan Bauer, http://www.ferras.at - Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=2485535	Tim Brunner
1542	Villa Pisani Bonetti This villa in Bagnolo was built in 1542 by Palladio. This building is significant in Palladio's career because it reflects a turning point in several aspects. Fresh off a trip to Rome a year previous, Palladio architecture begins to reflect his idea of a residence. Yet, this design is far from the Villa that Palladio would go on to describe in The Four Books of Architecture. This building is significant in offering a reference point in the evolution of Palladio. Beyond architecture, this building demonstrates that Palladio is also beginning to attract a wealthy crowd for his services. This information is taken from http://www.visitpalladio.com/en/node/1473/villa-pisani-bonetti.html. The image is taken from Wikimedia Commons, By Hans A. Rosbach - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2411279.	Tim Brunner
1543	De humani corporis fabrica A human skull lies atop a dog skull, representing Galen's misuse of animals to describe human anatomy. This illustration can be seen in Vesalius' manual. It took Andreas Vesalius a little over two years to write and illustrate De humani corporis fabrica, an influential manual of dissection and anatomical atlas. All of the information and illustrations were based on Vesalius’ dissection of human cadavers. Unlike his teachers and fellow physicians, Vesalius believed only human cadavers could be used to study human anatomy and that the anatomist himself, as opposed to surgeons or barbers, should be the one to conduct the dissection. Vesalius benefited from the intellectual climate of Padua and Venice while compiling his work, and he used master Venetian craftsmen to create the illustrated woodcuts. Though there were many excellent Venetian printers, Vesalius had the manual printed in Basel, Switzerland. It is unknown why he did this, but one hypothesis in that Basel’s location on the Rhine facilitated the manual’s distribution into Northern Europe. Source: http://www.vesaliusfabrica.com/en/vesalius/biography/vesalius-biography.html The image is public domain.	Kate Harris
1543	De humani corporis fabrica This book was revolutionary, illustrating with incredible detail the anatomy of the human body. For the first time, accurate depictions of anatomical structures were integrated with descriptive text for the benefit of medical students and practitioners. These depictions were highly informative, as opposed to mere aesthetic visuals of previous writings. The illustrations were also drawn with a degree of naturalism that was previously unknown, perhaps in congruence with or influencing the way ideas about art were shifting from Byzantine to the more realistic pieces typical of perspectival art.	Hannah Mylin
1543	Copernicus's De revolutionibus orbium coelestium is published 1. 1543 De revolutionibus orbium coelestium was published. Copernicus lays out the Copernican heliocentrism, an astronomical model that puts the sun at the center of the universe. Copernicus describes the sun as sitting motionless at the center as the earth and other planets rotate around it in circular paths. Copernicus dedicated the book to Pope Paul III, hoping to gain favor from the church. This file is licensed under the Creative Commons Attribution Share Alike 3.0 Uported License.	Kai Strubel
1543 to 4 Jul 1623	Life of William Byrd: William Byrd Born in 1543 in London, England, Byrd was a gifted pupil of Thomas Tallis, and showed great talent playing the organ. Together, these two were tasked by Elizabeth I with importing, printing, publishing, and selling music. They put these together in a collection called Cantioned sacrae, in which Tallis contributed 16 and Byrd 18. Byrd continued to write compositions, both church-related and secular. One of his greatest collections was named Gradualia in which he attempted to comprise music for both the daily routine of mass and the special occasions. One note about this is that he often composed church music in both English and Latin, which was abnormal for the time. In addition, Byrd played a huge role in pioneering the development of fantasia, another form of music composition that would explode in popularity in the 17th and 18th centuries. He died on July 4, 1623. Image Source: Wikipedia	Justin Chan
1545 to 1563	Council of Trent The Council of Trent, Meeting in Santa Maria Maggiore Church Organized in an attempt to promote unity and reform in the Christian community following the excommunication of Martin Luther, the Council of Trent was one of the most influential councils in the history of the Roman Catholic Church. Spanning the reign of three Popes from 1545 to 1563, the council issued a number of decrees in which it established dogma that would serve as the foundation of modern-day Catholicism. In these decrees, the council asserted the Catholic belief in transubstantiation, defined Mass as a sacrifice in remembrance of Christ, condemned Protestant beliefs that it defined as heresy, and ruled against Martin Luther’s belief in justification “by faith alone.” Confirmed by Pope Pius IV in 1564, these decrees—and many others—marked a major victory in the Counter-Reformation movement, and restored the faith of many in the authority of the Catholic Church. (Image Source: Unknown [Public Domain], via Wikimedia Commons, https://commons.wikimedia.org/w/index.php?curid=1148806)	Andrew Natoli
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mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} In 1547 Venice established a new magistracy, their express purpose to “assist the Venetian Inquisition in every aspect of its activity.” (Grendler 50) This culminated primarily in hunting down any heretical teachers, men who were sympathetic toward the Protestant movement or known for spreading works that deviated from the Roman Catholic Church. Church reformation was an attempt to squelch the ideas of science and enlightenment of man that were emerging in the philosophical community. Control of print meant control of the populace. 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(Mar., 1975), The Roman Inquisition and the Venetian Press, 1540-1605, The Journal of Modern History. Vol. 47, No. 1, pp. 48-65. 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Anointment of Dionisio: Prophecy and Politics in Renaissance Italy*	Hannah Mylin
1548 to 1616	Vincenzo Scamozzi Scamozzi was an architect from Italy, and a pupil of Palladio's. He learned from Palladio directly, and was comissioned to finish several of Palladio's buildings after his death. Although there is clear Palladian influence in his architecture, Scamozzi ventured to leave his mark, as demonstrated by his influence on the Teatro Olimpico. Like Palladio, he wrote a book on architecture, titled "L'Idea dell'Architectura Universale." This information was taken from http://www.nytimes.com/2003/10/04/style/breaking-free-of-palladios-shack.... This image is from Wikimedia Commons and is from the public domain.	Tim Brunner
1549 to 1614	Palladian Basilica The Palladian Basilica started renovation in 1549 and was fully completed in 1614. Palladio designed the major renovations, however, died before the project was completed. It was intended to be used as a public space for the people. The upper floor is one giant room, with no columns supporting the weight of the roof. During construction, part of the famous two-story loggias, or porches, collapsed, thus Palladio was hired to fix the engineering issues of the building. It is located in the Piazza dei Signori. This information is from www.museicivicivicenza.it/en. The picture is from Wikimedia Commons and is free to share.	Nathaniel Gollmer
1550 to 1610	The Venetian School The Venetian School helped develop music composers from 1550-1610. It was housed in the Basilica San Marco due to its unique architecture that made it a great space for music and choir. The invention of the printing press also allowed composers to print music, which drew even more musicians and composers to Venice. The most notable music productions had elements of a choir, brass, sting, and organs to create a mesmerizing sound.	Nathaniel Gollmer
1554 to 1612	Life of Giovanni Gabrieli Portrait of Giovanni Gabrieli Giovanni Gabrieli was an Italian composer and organist. It is believed he studied under his uncle, Andrea Gabrieli, who was trained by Adrian Willaert. In 1585, Gabrieli became principal organist at Basilica San Marco, and was also appointed principal composer after his uncle’s death. He was also appointed organist at Scuola Grande di San Rocco. He held all three positions until his death. Basilica San Marco had a long tradition of musical excellence and Gabrieli’s work there made him one of the most noted composers in Europe. His influential Sacrae symphoniae attracted composers from all over Europe, specifically Germany, to study in Venice. This influx of German pupils helped transport Gabrieli’s music north to Germany, leading to the production of German Baroque that is well-known today. Gabrieli’s most famous musical innovations include the use of dynamics, echoing musical lines, and precise directions for instrumentation, which expanded upon Willaert’s polychoral style. He carefully specified groups of instruments and singers in seemingly odd positions around San Marco so that each could be heard with perfect clarity and in perfect balance. Source: https://en.wikipedia.org/wiki/Giovanni_Gabrieli Image source: http://www.uh.edu/engines/epi2621.htm (public domain)	Kate Harris
25 Sep 1555	Peace of Augsburg Signed on September 25, 1555, the Peace of Augsburg was an agreement between the Holy Roman Emperor Charles V and an alliance of Lutheran princes that paved the way for greater religious freedom in Western Europe. The treaty allowed for the prince of each state within the Holy Roman Empire to decide on either Lutheranism or Roman Catholicism as the official religion in the domain over which he reigned. Under the treaty, the citizens and subjects of a given state—upon the declaration of the official religion within said state—who were not in agreement with the announced religion were provided a grace period in which they could relocate to a place where they could practice freely their desired religion. Not only did this paradigm shift convey the Catholic Church in a less absolutist light, but it also highlighted a trend toward a belief in the importance of the individual and of his preferences in religious observance. (Image Source: Unknown [Public Domain], via Wikimedia Commons, https://commons.wikimedia.org/w/index.php?curid=533576)	Andrew Natoli
1557	Index Librorum Prohibitorum was First Published Trial of Giordano Bruno by Roman Inquisition A product of the Roman Inquisition, the Index Librorum Prohibitorum was an annually renewed list of books, journals, and other publications viewed as heretical by the Catholic Church. Viewed as a moral and spiritual safeguard against Protestantism, censorship of anti-clerical literature was enforced in the Papal States, where heretical books were not only outlawed, but sought out during domiciliary visits from the clergy. Each publication on the list was examined closely with the intention of finding an excerpt or a statement that could be interpreted as anti-Catholic (i.e. against the interests of the Church or the faith). Authors and readers of heretical publications—among them Galileo, whose “Dialogue Concerning the Two Chief World Systems” sparked controversy among Church officials—were tried by the Inquisition; punishment for such crimes ranged in severity from house arrest to imprisonment to execution. (Image Source: Jastrow (Own Work (Own Picture)) [Public Domain], via Wikimedia Commons, https://commons.wikimedia.org/w/index.php?curid=1193142)	Andrew Natoli
circa. 1560 to circa. 1614	Construction of the New Prison: The New Prison (also known by the names Palazzo delle Prigioni or Prigione Nuove) was built to house prisoners in Venice, which allowed for the prison portion of the Doge's palace to be reduced as prisoners were transferred to the New Prison instead. The work's construction is ascribed to 5 main individuals. Giovanni Antonio Rusconi was the first architect on the project. The second architect to work on it was Antonio da Ponte. During his time working with the construction of the New Prison, he consulted with Zaccaria Briani, who was sentenced to a life in prison but worked on the project in exchange for 3 years commuted from his sentence, to improve aspects of the prison such as lighting and ventilation. The New Prison was finished by brothers Antonio and Tommaso Contin. The picture is by Abxbay (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons. It is free to copy and redistribute.	Teresa Ortyl
1564 to 1570	San Francesco della Vigna facade This front facade was designed by Palladio and built from 1564 and finished in 1570. Palladio was only responsible for this facade of the church, as the original designer, Jacopo Sansovino, designed and build the building years before. The signifance of this facade is that is done in a style that Palladio would repeat in his other buildings, like Il Redentore. This style was unique in the way it connected the nave to the aisles. This information is taken from http://www.isevenezia.it/en/church-and-convent/church-the-facade.	Tim Brunner

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